You may know or not know how dear is to me everything that touches Cambodia and Vietnam. A film like Apocalypse Now could only have a deep impact on me.
Until last week, Apocalypse Now had been a gap in my culture. I finally dived into it - cautiously, at home, over four days, ingesting this masterpiece bite by bite.
I had indeed strong but mixed feelings about it.
I couldn't relate fully to the visual depiction of the settings (the glance of Saigon through the window of Willard's room, the French plantation, Kurtz's stronghold): they felt almost right... And the story built up in the movie about Kurtz was convincing until the encounter itself: I couldn't relate to Marlon Brando as Kurtz nor to his army which made me think of Willy Wonka's army of Oompa-Loompas in Tim Burton's Charlie and the Chocolate Factory...
But I thought the first two hours of the film were outstanding, building an inimitable atmosphere of palpable absurdity and madness right from the first scene, building two fascinating characters: Martin Sheen's breathtaking interpretation of Willard and Kurtz's character built up in the shadow, through Willard's fantasies and a couple of sentences from his voice in an audio recording.
The depiction of the war's horrors gave me shrills in the spine. I couldn't always stand the intensity of the horror and had to stop several times because of it... But beyond the constant horror, the theme is the absurdity of the war which explains the desperation of the soldiers and the madness of their officers (or does it stem from it?) The scene in the French plantation was critical from this point of view, because of the reflection on the war which it allows at that point in the movie.
I'll let you judge from this few lines:
WILLARD
How long can you possibly stay
here?
DEMARAIS
We stay forever.
WILLARD
No, no, I mean, why don't you go
back home to France?
DEMARAIS
This is our home, Captain.
WILLARD
Sooner or later, you're --
DEMARAIS
No!
OLD UNCLE
And now you take French place, and
the Viet Minh fight you. And what
can you do? Nothing. Absolutely
nothing.
DEMARAIS
The Vietnamese are very intelligent.
You never know what they think.
The Russian ones who help them,
"Come and give us their money, we
are all Communists. Chinese, come
and give us guns. We're all
brothers." They hate the Chinese!
Maybe they hate the American less
that the Russian and the Chinese.
If tomorrow the Vietnamese are
Communists, they will be Vietnamese
Communists. And this is something
that you will never understand,
you American.
OLD UNCLE
I don't know. Maybe in the future
we can make something with the
Viet Minh.
PHILIPPE
Don't you understand? The V.C.
say, "Go away! Go away!" That's
finish for all the white people in
Indochina. If you're French,
American, that's all the same.
"Go!" They want to forget you.
Look, Captain --
DEMARAIS
See, Captain, when my grandfather
and my uncle's father came here,
there was nothing. Nothing. The
Vietnamese were nothing. So we
worked hard, very hard, and brought
the rubber from Brazil, and then
plant it here. We took the
Vietnamese, work with them, make
something, something out of nothing.
So when you ask me why we want to
stay here, Captain, we want to
stay here because it's ours, it
belongs to us. It keeps out family
together. We fight for that!
While you Americans, you are
fighting for the biggest nothing
in history. I'm sorry Captain. I
will see if your men needs any
help to repair your boat, so that
you can go on with your war. Good
night, Roxanne.
Transcript courtesy of MovieScriptSource.com